Equal parts dance and theater, The Queue unfolds in a fictional airport, where travelers stumble humorously, tragically and awkwardly into each others’ private lives. Created by Lucky Plush founder/director Julia Rhodes and collaborator Leslie Danzig, The Queue finds its influences in early 20th-century forms of slapstick, vaudeville, Busby Berkeley-style choreography, creaky one-act plays and a 1746 farcical play about a family inheritance. These sources and performance vocabularies collide with contemporary dance and the distinctly non-theatrical context of waiting to create a dance-theater production, showcasing Lucky Plush’s signature blend of immediacy, humor and kineticism.

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